10/31/2007

iPOD Touch Ad by Student

Ad Produced by Student


The Actual Ad Aired on TV


(Article from New York Times)
A Consumer’s Spot for Apple Grows Up

By STUART ELLIOTT Published: October 31, 2007
THE idea that you do not have to be a professional to create a good commercial is becoming widespread, in a trend known as consumer-generated content. Leave it to Apple to — paraphrasing the company’s old slogan a bit — think differently.

A television commercial for the new iPod Touch from Apple, which began running on Sunday, was created by the longtime Apple agency TBWA/Chiat/Day. But it is based on a commercial that an 18-year-old student in Britain — an Apple devotee named Nick Haley, who says he got his first Macintosh when he was 3 — created on his own one day last month.
His spot offers a fast-paced tour of the abilities of the iPod Touch, set to a song titled “Music Is My Hot, Hot Sex” by a Brazilian band, CSS.
Mr. Haley said he had been inspired to make the commercial by a lyric in the song, “My music is where I’d like you to touch.”
He based the visual elements on video clips about the iPod Touch and other new products, he said, which can be seen on the Apple Web site (apple.com). He uploaded his commercial to YouTube, where it received four stars out of a possible five and comments that ranged from “That’s awesome,” followed by 16 exclamation points, to “Makes me want to buy one and hack it.”

Late last week, Mr. Haley’s spot had been viewed 2,131 times on youtube.com. Among the viewers, Apple executives said, were marketing employees at Apple in Cupertino, Calif., who asked staff members on the Apple account at TBWA/Chiat/Day to get in touch with Mr. Haley about producing a professional version of the commercial (which, truth be told, had the same look and feel as many of Apple’s other ads).
“I was sitting on the bus and I got this e-mail on my phone,” Mr. Haley, a native of Warwick, England, said in an interview last week from the University of Leeds, where he is a “fresher,” or first-year student.
The message said, “‘We represent Apple and we’ve seen what you have produced and we’d like a chat with you,’” Mr. Haley recalled, adding: “This seemed ridiculous and far-fetched. My initial reaction was, someone wanted to steal it.”
He was soon persuaded that the message was real and traveled to Los Angeles in October, in his first visit to the United States, to work on a broadcast-ready version of his spot with creative executives at TBWA/Chiat/Day, part of the TBWA Worldwide division of the Omnicom Group.
Consumers creating commercials “is part of this brave new world we live in,” said Lee Clow, chairman and chief creative officer at TBWA Worldwide, based in the Los Angeles neighborhood of Playa del Rey.
“It’s an exciting new format for brands to communicate with their audiences,” Mr. Clow said. “People’s relationship with a brand is becoming a dialogue, not a monologue.”
The commercial based on Mr. Haley’s spot was seen on football games Sunday afternoon and on shows that night, including “Desperate Housewives” and Game 4 of the World Series. It is also to be shown in Europe and Japan.
Apple paid for Mr. Haley’s expenses while he stayed in Los Angeles, said an Apple spokesman, Steve Dowling, and also “compensated him like any creative professional, for his idea and his contributions to the creative process.”
Although Mr. Dowling declined to say how much Mr. Haley had been paid, he said the company would also be “making a significant financial contribution toward his education at Leeds” and — at Mr. Haley’s request — giving him Apple products like a MacBook Pro laptop.
YouTube visitors have flocked to watch Mr. Haley’s original spot (youtube.com/watch?v=KKQUZPqDZb0) since the professional version began running on TV. As of yesterday, viewings had grown to more than 490,000.
As for how faithful the professional spot is to Mr. Haley’s amateur version, Mr. Clow said, “we didn’t mess with his content” because “it has a charm to it, a youthful fun.”

The changes include more polished editing and filming the new version in high definition.
“My input was totally respected,” Mr. Haley said, adding that he considered the agency’s commercial “pretty similar” to the original.
The experience of working with the agency executives was “overwhelming, surreal and fantastic, all in one,” said Mr. Haley, who is studying politics at Leeds.
“This is my first taste” of advertising, he added, but offered a thoughtful response when asked what it means if consumers like him are willing to make commercials.
“That’s the whole point of advertising; it needs to get to the user,” Mr. Haley said. “If you get the user to make the ads, who better?”
As heartily as Mr. Clow endorsed the concept of user-generated content, he suggested that turnabout is fair play.
At TBWA, “we’re producing films we put on YouTube that we make in a day and a half in the parking lot,” he said, laughing.

10/30/2007

[中] 新安東京海上產險

與新安東京海上產險,之前處理車禍事故的單調廣告片相比,這支「古裝篇」以武俠片裏凌波微步、赴湯蹈火的俠義精神,加上時空轉換,來演出該公司在車主發生道路事故時的負責及迅速精神,固然可取。但飛簷走壁的輕功取材,與之前生活有茶氏的電視廣告,實在太像了,不免還是有學人步數之感。

本文節錄至 [唐先生帶你看廣告]的[驚驚不敢去撞牆,創意力道怎會強?─談新安東京海上產物保險〈古裝篇〉TVC ]

詳全文

10/29/2007

[中]「限量」的魔力


本文節錄至 [動腦新聞]的[【調查報告】「限量」的魔力]
作者 : TNS模範市場研究公司 更新時間 : 2007/10/29 10:10:04
「限量商品」已經成為各級品牌廠商行銷的重要方式。根據調查顯示,消費者認為擁有限量商品的最大利益,在於與眾不同、能引人注目。有趣的是,台灣男性購買限量產品的比例比女性高。究竟「限量」有什麼魔力?

(Brain.com 台北 2007-10-29)幾個月前,百貨公司祭出的限量名牌環保包,還沒開賣就吸引上百民眾徹夜守候。究竟「限量商品」有甚麼誘人魔力,能讓消費者甘願徹夜排隊也要搶購入手?是為了它的實用性?還是為了它的「限量」兩個字?它是限量生產真的會讓你在別人眼中與眾不同嗎?根據動腦雜誌協同TNS模範市場研究公司,透過EmailCash進行的調查顯示,「與眾不同、引人注目、緊貼時尚潮流」,就是消費者眼中擁有「限量商品」的最大利益。

  上至名牌手提包、珠寶精品,下至公仔、玩具和球鞋,以「限量商品」作為號召,已經成為各級品牌廠商行銷商品的重要方式。那麼台灣民眾如何看待限量商品?天生愛購物一直以來都是女人的代號之一,所以一般印象認為女人是會為了擁有「限量」產品,而可能採用較非理性的方式去獲得;但原來男生購買「限量」產品的比例比女生更高,有近30%的台灣男性曾經購買「限量」產品,而女性則只有27%的曾經購買過「限量」產品。

  但是,那些購買「限量」產品的消費者心態是什麼?一般消費者跟購買「限量」產品的消費者,對「限量」品的角度會有不同嗎?據TNS調查發現,有近4成的一般消費者,就算看到某人擁有或使用「限量商品」,也不會覺得他有什麼特別之處,但是男性跟女性在這一方面便有明顯的差異;男性消費者比女性還要介意限量產品是否「與眾不同」(27%),而女性則會覺得是希望「引人注意的」(23%)及「緊貼潮流/時尚」(20%)。換言之,限量商品不但能吸引消費者與媒體注目,而且還是都會時尚的象徵記號。

  進一步針對曾購買過「限量」品的消費者來分析,男性消費者(43%)比女性消費者(33%)還要介意限量產品是否「與眾不同」。而不論對曾購買「限量」品的男性或女性消費者來說,「有投資潛力」和「眼光獨到」這兩項都是非常重要的因素。

  但真正購買「限量」品的消費者,其購買原因跟想法都一樣嗎?大部分消費者除了是因為「自己喜歡」該限量品而購買外,男性和女性的購買原因大致是相同的。只是男性比女性更注重它能帶給自己「與眾不同」的感覺(34%)和產品本身的「升值潛力」(24%),但有趣的是原來男性比女性更受「限量」(25%)魔力的影響。

消費者以前僅會針對產品的功能性考量而去購買產品,但現在由於廠商行銷手法層出不窮,加入品牌個性、故事、形象等元素,到現在以「限量」思維鎖定消費者,讓消費者有更多購買的原因,更開始考慮產品的未來投資價值。TNS研究經理黃佩詩指出,如果行銷人員能夠及時把握住這些消費心態的轉型,那麼在目前經濟不佳、消費低迷的環境下,消費者還是會願意付出大量的金錢與時間去購買這些「限量」產品。另外,男性消費者的心態已從以往的實用性,漸漸開始考慮產品為他帶來的其他加值因素,如果行銷人員更加能針對男性消費者的心態進行產品設計/行銷活動,有效突顯限量商品的珍稀與殊異性,並結合時尚趨勢,創造話題,這將會為發揮限量商品的最大魅力並為產品開發更大的市場。

編輯說明:
本調查是TNS模範市場研究顧問公司於2007年10月17日~10月23日間,透過EmailCash台灣電子郵件市調網合作執行「台灣民眾對於限量商品的觀感」調查,透過6th Dimension網路調查方式收集資料。研究對象為台灣15-54歲的網路使用者,有效樣本共23,934份。

[中] 廣告死了?還只是在睡覺?


本文節錄至 [動腦新聞]的[廣告死了?還只是在睡覺?]

作者 : 王彩雲 更新時間 : 2007/10/25 09:54:01

【2007亞洲廣告大會系列報導4】現任JoongAng Ibo顧問O Young Lee表示,現在是使用者創作內容,消費者參與的時代。當廣告不一定能揣測消費者的購物心態而成效不彰,廣告公司該怎麼做?

(Brain.com 韓國濟州 2007-10-25)濟州亞洲廣告大會10月24日第三天的演講,討論當今劇烈的行銷革命正打破過去的規則,廣告死了,還是只是在睡覺?廣告公司要趕快改變,還是走向死亡?

  曾任韓國文化部長,現任JoongAng Ibo顧問O Young Lee 表示,現在是使用者創作內容,消費者參與的時代,傳統媒體逐漸崩解,廣告也將結束,未來五年會出現新的局面,電視廣告15%會由使用者創作,25%的廣告會在電腦中觀看,口碑行銷會越來越受重視。

  O Young Lee強調,今年八月美國寶僑P&G為旗下的衛生紙Charmin做行銷時,花了行銷費用在時代廣場及百老匯附近搭建20間廁所,讓消費者親自體驗P&G衛生紙的品質。O Young Lee表示,傳統的電視廣告是幫助消費者探索品牌,而現在P&G希望讓消費者直接體驗品牌。透過體驗行銷,到目前為止,寶僑Charmin衛生紙已有42.5萬人體驗過,雖然比電視廣告所接觸消費者的人數少,但是透過這些體驗過的人所製作的內容,一個月有2000萬人上網談論這個品牌。

  另一個有趣的例子是日產汽車,今年推出一款是不需要鑰匙,由車主按鈕啟動的汽車。這款汽車在今年三月促銷,日產製作了兩萬把鑰匙,在日本七大城市丟,日產告訴撿到的人不必還,但是可以領15元美金的油票,直接去體驗這款日產汽車。結果造成這些撿到又去體驗日產汽車的消費者,在網路上為日產做了多次宣傳。

  The Future of Advertising:New Clints, New Media, New Consumer一書的作者,也是前廣告時代Adertising Age發行人Joe Cappo則表示,從這兩年新聞媒體的標題中可看到幾項變化:美國傳統媒體的廣告量在下降、成長最快的媒體是促進購買的購買者行銷Shopper Marketing、Google在銷售無線電視台的廣告、大啤酒廠商刪除了電視廣告預算銷售卻有增無減。

  因此Joe Cappo的觀察是,許多技術日新月異,新產品也越來越多,市場上的新競爭者不斷出現,更多產品國際化,消費者也在變化,零售通路影響廣告,廣告客戶卻逐漸消失,過去廣告公司賴以維生的佣金制度也在改變當中。因此廣告是死了,還是只是在睡覺?答案由廣告公司自己決定。

  針對廣告會不會死?幾位參加這次大會台灣廣告經營者各有各的看法。貝立德媒體服務公司總經理菅波剛表示,廣告不會死,但是要改變經營的方式。安吉斯媒體集團總經理楊淑鈴認為,廣告公司應該要改變工作流程與組織型態,因應消費者及客戶的改變。IAA理事長蘇雄指出,廣告公司應該打破過去有創意部業務部的分工方式,而是設立溝通企劃Communication Planner或溝通指導Communication Director,主動為客戶找出和消費者接觸點,用創意在接觸點打動消費者的心。而創意人員應拋棄過去優先想電視廣告影片的習慣,要為任何消費者的接觸點想創意。

[中] 公益行銷風潮

(全文選自動腦新聞)


作者 : Brain.com記者 莊守禾 更新時間 : 2007/10/29 10:12:35

媒體或企業投入公益活動贊助、公共議題操作和公眾關係維繫,近年來蔚為風潮。無論媒體或企業根本立意為何,或多或少都讓更多關注和資源注入弱勢的角落,但操作也須更謹慎小心,避免預期效益未達到卻損害自身形象。

(Brain.com台北2007-10-29)如果你曾經腳踏實地參與過319鄉的活動,如果你曾經被大象男孩和機器人女孩感動過,或許你也知道公益行銷這個趨勢,許多媒體和企業透過挖掘社會上的小故事,達到關心社會公益的效果,也達成間接提升組織正面形象的目的。

除了傳統平面媒體以深入報導方式,著墨在公益議題的操作上之外,這波效應也順勢延燒到網路電子媒體。Yahoo!奇摩10月24日推出運動頻道新服務的同時,也推動了「一億個加油」的公益活動,為即將參加世棒賽及亞錦賽的中華隊加油,並以連續五年,每年三十萬的方式,認養了來自資源較不足的花東地區卑南國小少棒隊,提供更好的培育環境,希望可以為台灣培養王建民的小小接班人。

媒體之外,企業的公益性行銷手法更為多元。同時間,台灣萊雅也在10月24日宣佈和吳健雄基金會一同設立了台灣「傑出女科學家獎」。台灣萊雅公共事務協理陳家祥表示,萊雅以科學為基礎且著重研發,並全球有超過一半以上的研發人員是女性,因此,1998年起與聯合國教科文組織合作,舉辦「全球傑出女科學家獎」。而台灣不是聯合國會員,因此,台灣萊雅更積極推動在地的獎項來表揚女性科學家的貢獻。設立獎項除了可以豎立更多女性科學家的典範,更提升了萊雅的企業形象,對組織內部的女性科學研發人員也有正向的凝聚力,獲得內外公關雙全的效益。

透過社會上許多個人的傳播,刺激了企業及媒體更積極扮演企業公民的角色,讓更多關注和資源挹注社會弱勢角落,並將效益擴大為社會整體自省和關懷。然而,公共議題的行銷操作,隨著媒體和企業操作層次越來越高明,越來越頻繁,公益行銷的做法也備受正負兩極評論。例如,商業周刊之前籌辦「一個台灣.兩個世界」關懷系列紀實片『水蜜桃阿嬤』,因未事先清楚說明捐款用途,將大眾捐款給水蜜桃阿嬤的款項,挪作生命教材用途,造成許多民眾反彈商周漠視報導客體的權益,並輕忽大眾捐款給特定對象的用意,導致原本美善的公益報導,變成對媒體的攻訐。

而公益議題的操作,最初都被大眾賦予正面善意關懷的純粹意向,如果被懷抱一股熱忱的公眾辨識出公益背後的操作,無論為行銷,或是商業形象,都會造成公益行銷操作的風險。容易成為一把鋒利的雙面刃,傷害了企業本身,也澆熄了群眾對公眾議題的熱忱。

RedKen: Urban Experiment


(Article is from MediaPost:Media Creativity)

Spin The Hair Product Bottle
By Amy Corr, Monday, October 29, 2007

Redken put a twist on the game Spin the Bottle in support of its Urban Experiment line of hair products.

Six trendy people, whose hairstyles give each an uninhibited look, greet visitors on the UrbanExperiment.com home page. Visitors spin a hair product bottle; after it lands on one of the trendy folks, users are brought to a new page that suggests a daring act to be committed, playing off the campaign's "Dare to Experiment" theme. Each dare coincides with a different Urban Experiment styling product.

Some dares are attainable, such as "give a lottery ticket to a stranger," "paint a mural on your wall," "try on something you could never afford" and "throw a ouija party."

"Read a dictionary on the train" and "hop the next flight out of here" are other possibilities, but I'm not lugging a backbreaking book on the train -- and I'm only hopping on that flight if my paycheck remains unaffected.

Visitors can read actual testimonials from people who didn't necessarily use the Redken products, but completed a dare. There's also an email section to challenge a friend to a dare.

Digital Pulp created the site that targets a hip, high-fashion demographic in an edgy, fashion-forward style.

The four product offerings -- velvet gelatine, enamel gel, grit wax and nylon clay -- are described by their ingredients, style, texture and fragrance.

Each product is also defined like a dictionary definition, where pronunciation and definition is given.

Nylon Clay, for example, "spins hair into twisted twines with subdued luster. Weave and spin through damp hair for twisted twines," says the definition.

The company also partnered with email newsletter Flavorpill to create a reality Webisode series called "Out of Town."

The Webisodes star contest-winning urbanites as they seek out art and cultural experiences in rural America. The first episode features two New York City girls experiencing small-town life in Kutztown, Pa. Think "The Simple Life" with non-celebs.

Amy Corr is managing editor, online newsletters for MediaPost. She can be reached at amyc@mediapost.com.

10/16/2007

[中]保利達蠻牛

看到了 重灌狂人味噌湯加貢丸,蚵仔煎加蛋不加蚵仔!。 這篇,真的很好笑!

保利達蠻牛的廣告都是非常有趣又有鄉土味!!!
保力達蠻牛-小吃店篇


燒肉粽篇


跳電篇

10/02/2007

Ad Watch- Buenos Aires Zoo


TITLE: Yawn
BRAND: Buenos Aires Zoo
MEDIA: Television
COUNTRY: Argentina
AGENCY: Del Campo Nazca Saatchi & Saatchi

It is cute and make the zoo very welcoming! I wish I can go there at night!

Ad Watch- Citroën


TITLE: Rubik's Cube
BRAND: Citroën
MEDIA: Television
COUNTRY: France
AGENCY: H

Pretty cool visual affect and very creative for a car ad!

Ad Watch- Bud Light


TITLE: Opera
BRAND: Bud Light
MEDIA: Television
COUNTRY: USA
AGENCY: DDB Chicago

Always Worth it! Always have Bud Light type of humor!